When I arrived at the Guggenheim, I was confronted with a pack of stuffed paper mache or something like that fierce fake wolves hurtling at full speed, the way only wolves can, into a plate of glass. The piece should have simply been called"Dopes."
The message was people never learn and we just follow the leader blindly even to our own destruction. It may have also had a deeper meaning about the harming effects of communism and blind doctrine. As the artist lives in Brooklyn he is quite safe to say what he wants, unlike the foreign journalists in Tibet, who can not make any comments as they are not even allowed access. Where is the progress, one wonders?
1 comment:
Here in it all I finally see it is a made-up character. For clearly the wolves could hark not solely to "communism", whatever that is, as the people going into the musuem travail the trajectory of the slavish and doomed, hence the existence of museums. The actual real wolves are dying too, besides most of living reality on this earthly corporeal plave. Meanwhile there are bathrooms a'plenty to clean. Resides in Brooklyn and is free to express etc etc, having encountered you once I believe you know the irony or sarcasm of that, even as you through example encourage people to be more liberty infused. Even as they sought to censor Dred Scott's work, in Crooklyn. All this to say interesting. Lovely coutre and form!
Post a Comment